graf and streetart news compiled from the finest sites in the land by a robot.

The Amber Specter

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

I’m loving Specter’s work, which is currently popping up all over New York.

Have a look-see: http://bit.ly/307mwp.

And you can get this Specter-cular piece (ouch) for your walls from the fabulous Brooklynite Gallery: http://bit.ly/32f5J.

graffiti street art specter

De de de de de de de de de de de de de de de derrr BAG MAN

Until next time.

The Wall Pimper

For more great art go here: www.pimpyourwalls.co.uk


EyeWriter – Write Graffiti Using Only Your Eyes – TEMPTONE

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

EyeWriter – Write Graffiti Using Only Your Eyes – TEMPTONE

 
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What’s this all about? Well members of Free Art and Technology (FAT), OpenFrameworks, the Graffiti Research Lab, and The Ebeling Group communities have teamed-up with a legendary LA graffiti writer, publisher and activist (named Tony Quan, aka TEMPTONE) to create the EyeWriter.

TEMPTONE was diagnosed with ALS in 2003, a disease which has left him almost completely physically paralyzed… except for his eyes. This international team is working together to create a low-cost, open source eye-tracking system that will allow ALS patients to draw using just their eyes.

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Nonoloa graffiti urban art tshirts

They’re aiming to setup a network of software programmers, hardware nutters, ALS patients and graff artists to help build these systems and make sick new eye graffiti art.

The video is great, it shows the system in action and how they’re working towards their ambitious target. We’ll be keeping a close watch (yeah no puns suckers) on it’s progress, can’t wait to check out the art that users will be producing.

If you reckon you could help in some way then check their site and root around the developer area.

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Check out the EyeWriter site, it’s got more information on the system and it’s progress. Seriously, what an awesome project!

Nonoloa graffiti urban art tshirts

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Fresh Stuff From Lelo and Pia in Rio de Janeiro

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

lelo-%2B-pia---rio-de-janeiro.jpg


Seen On The Streets of London

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

ace-face-poster.jpg


One Not To Miss: BROOKLYNITE GALLERY’s "GO GET YOUR SHINEBOX"

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

“GO GET YOUR SHINEBOX”
Featuring Over 100 Artists
Trying to Survive in This Economy

November 21 – December 19
OPENING RECEPTION: NOV. 21, 7-10 PM (NY)

334 MALCOLM X BLVD.
BROOKLYN, NEW YORK 11233
A or C Subway to UTICA AVE.


Sado Monarchism

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

Sado Monarchism by Paul Baines
Sado Monarchism by Paul Baines

My latest work available as a digital print via Image Kind. I know I know, I said no more digital prints, but seeing as I'm still testing the water with screen prints I wanted to give people a chance to get a copy before the year is out. I'm planning to screen print this along with Black Christ and Reigning Men in early 2010. Hopefully Black Christ will be out for Xmas – we'll see.

Get a digital print of 'Sado Monarchism' at 55" x 44" for  $50.99 here.

What's it about? It's not anti-royalist, but it is about a British Bill of Rights. We are subjects, not citizens, the Queen is nothing more than a figurehead and bumbling Charlie is just around the corner. An unelected Prime Minister rules our lives, he remains almost unchallenged and we, the Brits, who famously always kept up a stiff upper lip, simply sit down and die.

Here's a couple of close ups…

Sado Monarchism (Detail) by Paul Baines
 

 

Sado Monarchism (Detail) by Paul Baines

Tags: art, monarchy, new art, Paul Baines, prints, royalty, Sado Monarchism, urban art

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Obey El Mac

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

Shepard Fairey for his Obey Giant line and images of Obama is probably one of, if not the most well known street artist in the world. His attention to detail, his clean imagery and on occasion iconic pieces have attracted attention from all quarters of the arts world. However there's definitely a (relatively) new kid on the block who might, and I mean might, just knock the crown from Fairey's head, and that has to be El Mac (The Mac).

El Mac (Front Cover) Juxtapoz Magazine (#103)

El Mac is a Los Angeles born artist who's photo-realistic murals are known and loved around the world, he provides depictions of everyday people and ethereal women, utilizing distinctive a unique style of brushwork and shading patterns that centres on the human face and form. His artwork combines many classic art themes and techniques with inspiration from both a Mexican and Chicano culture of the South West, pin-up art, and religious imagery. The Mac has been quoted as viewing his work as “the result of a life devoted to art.”

Sapphire by El Mac

Those who work with stencils and/or screen printing are well aware of the limitations of colour palette, either resorting to reducing the range of hues or in some cases creating half-tone meshes to provide a CMYK spectrum of colour. However few will turn to vexel art, one because it is a laborious process, usually via Adobe Illustrator, of meshing vectors to create blends of colour, and to because of the difficulty of transferring it to the street without a very high degree of talent in spray art. Perhaps The Mac achieves his astounding results through what I'd guess is an enormous amount of natural ability and understanding of light, (just check out his hand drawn sketches), yet still his style is remarkably similar to many vexel works at sites like DeviantArt.com.

Yellow Peril by El Mac

The street has a time limit, eventually, should you take long enough, it's more than likely someone out there, usually the local authorities or police will catch you in the act of what they in their narrow minded opinion is considered as vandalism or defacement of public property. Which makes it all the more astounding that El Mac can achieve so much in his murals in such a relatively short time.

RETNA / The Mac from RVCA on Vimeo.

“I just really love to make art…to create…it’s very satisfying. Pushing around colours to make images that communicate something to other people. It feels like I’m doing something important, like I’m fulfilling some kind of duty. I feel like making art is some way of rising above basic instincts towards survival and reproduction, and trying to connect with the spiritual.” -El Mac.

Madrid Sketch - El Mac

Some of his pieces even resemble etchings, coloured grooves interlace skin tones and backgrounds as would an antiquated printing press. This incredible hand/eye coordination provides an immediate route in for El Mac's work, works which have quickly formed a warm relationship between him and his fans. This bond is strengthened by the subject choices of El Mac, the vibrance of the public, the beauty of woman, ideas that need little examination, forcing through a strength of humanity as the main subtext, if any, of El Mac's back catalogue. El Mac has worked many times with another prestigious graffiti artist Retna, who I must find time to feature in the future if I can!

El Mac in the studio

As of now The Mac's website www.elmac.net is being redesigned, however you can keep up with all his latest work at his blog at www.mac-arte.blogspot.com. There's is a rather interesting interview by David Choe in Juxtapoz Magazine which you can read here.

Tags: El Mac, Juxtapoz, street art, The Mac, Vexel

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Obey El Mac

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

Shepard Fairey for his Obey Giant line and images of Obama is probably one of, if not the most well known street artist in the world. His attention to detail, his clean imagery and on occasion iconic pieces have attracted attention from all quarters of the arts world. However there's definitely a (relatively) new kid on the block who might, and I mean might, just knock the crown from Fairey's head, and that has to be El Mac (The Mac).

El Mac (Front Cover) Juxtapoz Magazine (#103)

El Mac is a Los Angeles born artist who's photo-realistic murals are known and loved around the world, he provides depictions of everyday people and ethereal women, utilizing distinctive a unique style of brushwork and shading patterns that centres on the human face and form. His artwork combines many classic art themes and techniques with inspiration from both a Mexican and Chicano culture of the South West, pin-up art, and religious imagery. The Mac has been quoted as viewing his work as “the result of a life devoted to art.”

Sapphire by El Mac

Those who work with stencils and/or screen printing are well aware of the limitations of colour palette, either resorting to reducing the range of hues or in some cases creating half-tone meshes to provide a CMYK spectrum of colour. However few will turn to vexel art, one because it is a laborious process, usually via Adobe Illustrator, of meshing vectors to create blends of colour, and to because of the difficulty of transferring it to the street without a very high degree of talent in spray art. Perhaps The Mac achieves his astounding results through what I'd guess is an enormous amount of natural ability and understanding of light, (just check out his hand drawn sketches), yet still his style is remarkably similar to many vexel works at sites like DeviantArt.com.

Yellow Peril by El Mac

The street has a time limit, eventually, should you take long enough, it's more than likely someone out there, usually the local authorities or police will catch you in the act of what they in their narrow minded opinion is considered as vandalism or defacement of public property. Which makes it all the more astounding that El Mac can achieve so much in his murals in such a relatively short time.

RETNA / The Mac from RVCA on Vimeo.

“I just really love to make art…to create…it’s very satisfying. Pushing around colours to make images that communicate something to other people. It feels like I’m doing something important, like I’m fulfilling some kind of duty. I feel like making art is some way of rising above basic instincts towards survival and reproduction, and trying to connect with the spiritual.” -El Mac.

Madrid Sketch - El Mac

Some of his pieces even resemble etchings, coloured grooves interlace skin tones and backgrounds as would an antiquated printing press. This incredible hand/eye coordination provides an immediate route in for El Mac's work, works which have quickly formed a warm relationship between him and his fans. This bond is strengthened by the subject choices of El Mac, the vibrance of the public, the beauty of woman, ideas that need little examination, forcing through a strength of humanity as the main subtext, if any, of El Mac's back catalogue. El Mac has worked many times with another prestigious graffiti artist Retna, who I must find time to feature in the future if I can!

El Mac in the studio

As of now The Mac's website www.elmac.net is being redesigned, however you can keep up with all his latest work at his blog at www.mac-arte.blogspot.com. There's is a rather interesting interview by David Choe in Juxtapoz Magazine which you can read here.

Tags: El Mac, Juxtapoz, street art, The Mac, Vexel

Related posts


New Council Graffiti Policy – Comment Now!

Posted: November 16th, 2009 | Author: | Filed under: Graf | No Comments »

Being out of play for the last couple of weeks means this has got missed, although to be fair the council’s hardly been shouting from the rooftops about it.

They’ve finally got a new graffiti policy drafted for the city, and if you want to  have your say, comments on it need to be in by midday this Tuesday (17th November). It’s going to be discussed by the Clean and Green board on the 19th. So they’re not leaving themselves much time to write up the results of the consultation. Or maybe that’s all part of the same thing.

Anyway, the new draft policy is below. Give it a read through, and if you’ve got any comments on it, send them to Denise James at Clean and Green quickly ! Email denise.james@bristol.gov.uk

Bristol City Council
Graffiti Policy

Background

The City Council has as part of the National Indicators (NI195) a duty to make your local area safe, clean and green.  It requires graffiti to be removed as quickly as possible and appropriate enforcement action taken against offenders.

Graffiti has always existed and has historically been regarded as having a negative feature that reduces the quality of the environment.  It can also be seen as a sign of decay and can generate a fear of neighbourhood crime and instability.

In recent years, however, graffiti has evolved into popular culture and it is now widely recognised that it can also be an art form that contributes to the urban environment.  This is frequently referred to as Street art or graffiti art.

This policy seeks to redefine the City Council’s approach to graffiti in this context.

Definition of Street art/Graffiti

For the purpose of this policy, we differentiate between graffiti, which is generally considered to have a negative impact and Street art/graffiti art, which is generally regarded as a more artistic and considered intervention.

Graffiti

Graffiti includes illegal or unauthorised drawings, scribbles, messages, tags, etchings, or designs that are painted, written, sprayed, etched, pasted or otherwise affixed to a surface such as walls, street and park furniture or other edifice or structure without the property owners consent.

Offensive Graffiti

Offensive graffiti may be defined as Graffiti above but contain some or all of the following:

  • Offensive language, language of a politically, Racially, Religiously insulting or inciting nature
  • Hate statements
  • Graphically explicit images
  • Graphically intimidating images or text
  • Images that are textually or visually offensive in context
  • Libellous or potentially libellous statements

The Council will always seek to remove offensive graffiti.

Street Art/Graffiti Art

Can include painting, writing, murals that are painted, written, sprayed, etched or carved on the surface of buildings, walls, the street and park furniture or other edifice or structure.

Street art/Graffiti art may be deemed to have a positive impact on the local environment, subject to other relevant considerations.  It may, however, also fall into the categories of offensive graffiti as above.

As well as causing detriment to the environment, graffiti and street art/graffiti art can under certain circumstances amount to a criminal offence under the Criminal Damage Act 1971.  Where the value of the criminal damage exceeds £5,000 the maximum penalty is a fine not exceeding the Statutory maximum and/or 6 months imprisonment.  Where the damage does not exceed £5,000, the maximum penalty is £2,500 and/or 3 months imprisonment.  The Police Service is the only enforcement agency with the legislative powers to prosecute an offence of Criminal Damage.

Graffiti art/Street art in Conservation areas
A conservation area is defined as ‘an area of special architectural or historic interest, the character and appearance of which it is desirable to preserve or enhance’ according to the Planning (Listed Buildings and Conservation Areas) Act 1990.  Under S71 (1) of the Act it is the duty of the Planning Authority to formulate and publish proposals for the preservation and enhancement of conservation areas.

Bristol’s defining characteristic is the outstanding architectural quality and extent of its historic environment.  This is reflected in the designation of the majority of the city centre and a number of suburban areas as conservation areas, and the large number of listed buildings.

Graffiti art/Street art will not normally be considered acceptable in a conservation area as it is:

  • Not generally appropriate to the character of the historic environment
  • Potentially damaging to the historic fabric of buildings, particularly stone and brickwork
  • Would obscure details/features that make a positive contribution to the character of the local area

Exceptions
In exceptional circumstances, where buildings have been empty or derelict for some time and are contributing to a reduction in the quality and character of the conservation area, street art/graffiti art may be acceptable.  This must, however, be on a temporary basis, egg on temporary hoardings and not on the historic fabric of the building.

Graffiti art/Street art may be considered acceptable where it is:

  • Of exceptionally high artistic quality and
  • Does not impact negatively on the wider conservation area and
  • Does not damage or obscure the historic fabric of the building or environment

Street art/Graffiti art on Listed Buildings
Under the provisions of Section 9 of the Planning (Listed Buildings and Conservations Areas) Act 1990, the application of graffiti to a listed building without the required Listed Building Consent is a criminal offence if it is considered to be an alteration, which would affect its character as a building of special architectural or historic interest.

Listed Building Consent for street art/graffiti art would require the notification of the property owner.

Graffiti art/Street art will not normally be considered acceptable on a listed building.  Exceptions as above.

Summary of Our Powers & Responsibilities

The Council is responsible for removing graffiti from Council owned properties, parks and the highways.  Items such as telephone boxes, Network Rail property and Structures, bus shelters and electricity boxes are the responsibility of the private companies.  The starting point in regard to private and commercial property is that removal of graffiti is generally the responsibility of the owner.  Although the Council will exercise its discretion and provide graffiti removal services for which a charge may be made.  This policy focuses on reducing unlawful graffiti on property and land that is not on Council owned property.

The Council has the power to, amongst other things: -

  • Remove graffiti from privately owned or commercial property following a request from the owner and subject to the receipt of a signed indemnity form.
  • Charge for this service, although in most cases it is offered for free
  • Issue “Graffiti Removal Notices” under section 43 of the Anti-Social Behaviour Act 2003.  Requiring the person responsible for the “relevant surface” to remove the defacement within a period of 28 days where the defacement is detrimental to the amenity of the area or is offensive.
  • Where the recipient of a “Graffiti Removal Notice” fails to comply with the requirements of the Notice, an authorised officer of the local authority may enter the land to the extent necessary to enable it to remedy the defacement and may recover expenditure reasonably incurred in exercising this power
  • Issue Fixed Penalty Notices where an authorised officer has reasonable grounds to believe that an offence of criminal damage/graffiti has been committed.
  • Initiate prosecution proceedings where considered appropriate to do so under Section 215 Town and Country Planning Act 1990.  In addition, the Council, as a Public Body, has a number of obligations, which include, among other things:

Under section 71 of the Race Relations Act 1976, section 49A of the Disability Discrimination and section 76A of the Sex Discrimination Act 1975, the Council, in carrying out its functions, has an obligation to have due regard to the need to eliminate unlawful discrimination.

This graffiti removal policy sets out how we expect to exercise the above obligations and powers.

Objectives

  • Bristol City Council will seek to keep the city safe, clean and green.
  • Bristol City Council will endeavour to remove unwanted and offensive graffiti and street art.
  • Bristol City Council will support the right for property owners not to have unwanted graffiti or street art on their property.

Achieve targets of cleanliness set by the National Indicators (NI195), which are government guidelines that compare one council’s performance with another and set targets for improvement on graffiti levels by:

Removing graffiti promptly
Working in partnership with Council services, schools, external agencies and voluntary and community organisations to prevent and tackle graffiti
Engaging local residents to tackle graffiti using graffiti prevention methods best suited to their area
Taking enforcement action where considered appropriate to do so in the form of, among other things, service of Statutory Notices, Prosecutions and/or Fixed Penalty Notices.

Specifically Bristol City Council will deliver these objectives through:

  • Encouraging reporting of graffiti through
  • Promotion of the Access to Bristol channels such as the Customer Service Centre, Customer Service Points and web-based reporting.
  • Promotion of reporting graffiti as Criminal Damage to the dedicated Police Graffiti Team.
  • Promotion of the graffiti removal service and publicising successful local solutions.

Removal of Graffiti on the Basis of the Following Priorities:

Removal of any racist graffiti/street art or that which offends any of the equalities enactments by the end of the next working day after being reported. With or without signed indemnity
Removal of non-offensive graffiti, where the owner/person responsible has requested us to do so within 5 working days of being reported.  We will prioritise the removal of such graffiti based on the size of the area covered, location and content whilst taking local pressures and opinions into account so as to make the best use of graffiti removal resources, accompanied by a signed indemnity form.
Schedule regular removal of graffiti from hotspot areas citywide, with sensitivity to local situations.
Where the owner/person responsible for the property upon which the defacement has occurred does not consent to removal of the graffiti, we will exercise our statutory powers under section 48 of the Anti-social Behaviour Act 2003, save for in cases where, for example, the graffiti is offensive and the exercise of such powers would cause un-necessary delay in the removal of such graffiti.

Note:  All graffiti is to be removed in accordance within Health and Safety limitations and within removal guidelines according to the surface i.e. Graffiti at certain levels for example higher than 2.1 metres may not be possible to remove, graffiti to be removed from surfaces only where the surface material permits.  And subject to receipt of indemnity form from property owners except in the case of offensive graffiti (See examples above)

Recording Graffiti

The Council will gather detailed information on graffiti from the first report through to removal as evidence and to aid the removal prioritisation process.

The Council will gather and store photographic evidence to support legal cases against graffiti offenders, and share intelligence where appropriate with other enforcement agencies, including the police.

Graffiti art/Street art

Where murals or artworks are deemed to make a positive contribution to the local environment and where the property owner has raised no objection, we may make the decision not to exercise our discretionary enforcement powers and/or powers of removal.

In such a case specific consultation may be carried out internally with the planning department and with the Executive Member and externally with local residents and the owner of the property

Engagement with Communities

Support applications from residents and residents’ groups who would like to manage graffiti by displaying a mural in a specific location through a process of consultation and gaining permission from property owners for the artwork.  This particularly applies in areas where there is a history of graffiti and tagging.

Support application from residents and residents’ groups who would like to manage graffiti on public buildings, by displaying a mural through a process of consultation.

Support residents and residents groups in creating alternative diversions to tagging and graffiti problems, such as community clean ups, and preventative planting schemes.

On line voting proposed (to be discussed at CAP and C & G board)

Street Art/Graffiti Mural Review Panel (to be discussed at C & G board)

Engage young people through an on-going programme of education and diversionary techniques, including through schools and organised youth activities.

Work in partnership with Culture and Leisure Services to deliver diversionary art projects such as self-managed legal walls and workshops.

Dealing with Offenders

Work closely with the Police, British Transport Police and local communities to identify tags and the taggers, collect evidence and pursue court action as appropriate.

Support restorative justice approaches for offenders.

Work with the Bristol City Council’s Youth Offending Team to include young offenders and probationers who have been convicted of graffiti vandalism in involving them in diversionary art projects and workshops, and in graffiti removal.

Monitoring and Review

Monitor incidences of graffiti according to area and direct resources where most needed.

Develop relationships with officers from other local authorities, “Keep Britain Tidy Group”, Central Government and other agencies, to share information on successes and failures in combating graffiti.

Resources Committed

The Council’s Waste and Street Scene service has the lead responsibility for dealing with graffiti.

The Council will continue to invest in client management and contractor delivery of graffiti removal.

Continue to seek funds for removal from other sources e.g. from other departments that are responsible for other structures and buildings, such as street and park furniture.