graf and streetart news compiled from the finest sites in the land by a robot.

I love you thong time

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

Human trafficking and prostitution.

Not the most pleasant of topics for a Saturday morning, but one which is, nevertheless, brilliantly executed by Junta’s ‘Sex Sells’ print.

graffiti street art junta limited edition print

Suspendered Sentence

More from Junta here: http://bit.ly/2AsVz5.

Until next time.

The Wall Pimper

For more great prints go here: www.pimpyourwalls.co.uk


Brought Down By The Pigs…

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

A needlessly bad boy title for a much more mundane post sadly. Just as more time came free for blogging, swine flu struck blog towers. As a test for it is apparently ‘if you saw a fiver on the pavement, you wouldn’t bend down to pick it up’, that’s another week of blogging missed. Bugger.

Still though, the world continues. Here’s a few bits as an update…

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Nikill’s show opened up at the Weapon of Choice Gallery on Thursday, which is doubtless good, one to check out this weekend if you’re well.

BRISTOLBack

Secret Wars is coming to Bristol too in a fortnight, Bristol vs London down at the Blue Mountain on Stokes Croft. Here’s the chat so far

Our aim is to source artists from the area to form a team to represent bristol in europe. As well as the main battle event there will be facilities for artists to display their skills. The whole event will be backed up by a soundtrack of funk and hip hop from our DJs.

More soon…


Shit We’re Diggin’: Posterchild’s MTA Video Billboard Jamming!

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »
New York Sunsets
by posterchild

3D 2 Dumb

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

3D Week @ CH4

So, Channel 4, the slightly more left-field choice of Britain's terrestrial TV channels has decided to boost its flagging ratings by churning out the same old fodder as usual, but this time in 3D. This former flagship of the arts and documentaries hasn't really been the same since it scored big almost a decade ago with Endemol's infamous Big Brother reality show. Which as it happens is also losing viewers like there's no tomorrow, blame the late Jade Goody for insulting the Sub Continent amongst other things. They have nothing left, whatever mystical blend of TV programming did make this channel work, it's obviously on the turn, in fact its as rank as televisual offal can be, and so they're pulling a very old crowd pleaser from their familiar bag of editorial tricks, and decided to give a slice of the nation a headache for the week.

I was never impressed with 3D technology, the cheap red and green Ray-Bans always gave me a headache, as does the slightly askew colour overlays of anything filmed with this technology. It's as if scientists and technologists have been sulking and sucking their thumbs since the 1950's over this little debacle, we're not watching teen horror movies of amorphous blobs from Mars any more, we don't go to the drive-in, in truth the Brits never did, but a ream of tepid CGI films from the likes of Pixar and their slave masters Disney mean that a whole new generation are ready to be jerked around by vapid promises of a televisual spectacular.

The week of the same old same old will be interrupted by a 3D colour newsreel of the Queen during her Coronation year entitled Royal Review, however it won't include invaders from another planet, or special effects of any kind, just the same tired pomp and ceremony that reminds us British how subservient we always were as a nation. Asides the Queen there's a few schlock horror movies from the vaults of House of Hammer, some 'young people's programming', another yawn fest from the OCD mind mapping nut that is Derren Brown, a Hannah Montana / Miley Cyrus concert (don't even go there), and an ex-transvestite Northern working men's club comedian turned daytime talk host Paul O'Grady. All of which will get the 3D treatment courtesy of Sainsbury's supermarket. Yes that's right, you won't receive a pair in the post, you'll have to divert your usual recession-proof shopping habits and take a trip light fantastic to the upper end of the food sector shopping experience. So once you've spent an extra £50 or so on faux-luxury freezer food, picked up your 3D glasses and battled gale force winds on the return home what can you expect to experience? Very little.

As a child I used to read, when I could get hold of them, DC and Marvel comics from America, in a time before Alan Moore knew the score and all that Fleet Street could offer was the usual brand of Bash Street Kids and Dennis The Menace humour that had been prevalent since the last World War. I'd scan the impossible feats of men infected with exotic spider venom, Gamma rays and so forth before studying a page or two of incredible offers for everything a boy could want, including X-Ray Specs. Which didn't work. If there were such a thing, the technology would probably turn you blind, and via a less preferable method than the usual old wives' tale.

Life must be slowing down. That might seem a ridiculously naive statement, but it's really hard to tell these days. If you were travelling at the speed of light, say you'd just been abducted by a group of friendly 'greys' who let you forgo the usual probing and sat you down by a port hole to watch the streaming stars. If you were speeding through the universe, at immeasurable speed, and slowly Captain Grey took his foot off the pedal, ever so slightly mind you, would you notice? Here's another one, if you were the greatest genius who ever lived, how long would it take to notice if say you were losing 1% of your intelligence each day? Now scale that up, over thousands, if not millions of years. Then throw 3D glasses into the mix, it's a dirty great big road sign to oblivion if you ask me.

I used to pester my parents from the proverbial year dot of my experience on earth, essentially no idea was beyond my grasp, I became impatient to find out everything there was to know, and then, inexplicably, or so all the adults around me at the time would like to believe, I lost interest. I lost faith in humanity. I'd watch old Star Trek episodes and count the days until I could too travel the stars, then I realised, not only was it fiction, the idea was so far removed from the truth it was painful. The vacuum tube technology that transmitted the flickering images to my retinae was almost a century old. I'd visit the bathroom and realise the same could be said for the flushing toilet, the bath, the plumbing. Outside Dad would be working on a clapped out car, run on petrol via a combustion engine, yet again antique technology. I realised then, that for the main part, something dodgy was going on.

Perhaps there is a vast and highly complicated conspiracy behind this phenomenon, perhaps the richest on the planet are jet-setting around the stars, watching holographic movies and teleporting to dinner parties on previously unexplored moons lush with nature, water and the finest champagnes. Then again, taking on the old adage that the simplest explanation is most likely the truth, we are getting lazy. Governments, just like corporations, are very short sighted. They look ahead a year or two if you're lucky. Unlike the Japanese who've decided for some inexplicable reason to follow their goal of a 100 year long robot technology program, most countries have only just got to grips with nuclear power, not so much the devastating side-effects as the realisation that green technology still can't cut it.

It's the same old bland nostalgia seen through a pair of rose-tinted, green-tinted, 3D glasses. Perhaps they should start filming Prime Minister's Questions and the evening news in 3D, that might keep people distracted from the state of the country, we're screwed, just close your eyes, it will all be over soon.

Tags: 3D, CH4 3D, Channel Four, fail, nostalgia, Queen’s Coronation, TV

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I (Heart) Your Work #4

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

There’s nowt so queer as folk.

And Gilbert & George are queer as folk.

Born to shock, their work combines sex, religion, shit, semen and Martin Clunes* to dramatic and often kaleidoscopic effect.

Their imagery is odd, undoubtedly, but its scale and uniqueness is mesmerising.

I♥YW #8 Gilbert & George

gilbert and george shitted

Shitted by Gilbert and George

Until next time.

The Wall Pooper Pimper

Buy from my gallery: www.pimpyourwalls.co.uk

* http://bit.ly/3xk8wG


New Australia, Sydney Graffiti – DefHi Strikes Again

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

New Australia, Sydney Graffiti – DefHi Strikes Again

DefHi has been a contributor to the site a few times and she’s come back with some more awesome Sydney graffiti photos she took over the past few days.

Australian graff is always wild and there are some beauties here, especially feeling the last black and white silhouette. Is it a Planet of the Apes monkey, Michael Jackson, dunno! Looks wicked though.

Australia, Sydney Graffiti Photos by DefHi - 'Take You Down'

Australia, Sydney Graffiti Photos by DefHi – 'Take You Down'

Australia, Sydney Graffiti Photos by DefHi - 'Hot Chica'

Australia, Sydney Graffiti Photos by DefHi – 'Hot Chica'

 Nonoloa graffiti urban art tshirts

Australia, Sydney Graffiti/Stencil Photos by DefHi - 'Dark Angel'

Australia, Sydney Graffiti/Stencil Photos by DefHi – 'Dark Angel'

Australia, Sydney Graffiti Photos by DefHi - 'Come one come all'

Australia, Sydney Graffiti Photos by DefHi – 'Come one come all'

Australia, Sydney Graffiti Photos by DefHi - 'Turn'

Australia, Sydney Graffiti/stencil Photos by DefHi – 'Turn'

DefHi has featured in 3 other posts including the World Graffiti Best of, check out the previous DefHi graffiti posts.

Go check out the DefHi By Design Store, where you can view loads more of her graffiti photos and buy prints. Or check out the latest photos by becoming a fan on Facebook. And yup, Natt is on Twitter too.

Cheers again to DefHi!

Nonoloa graffiti urban art tshirts

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Related posts:

  1. DefHi By Design – Australian Graffiti Art
  2. Sydney Graffiti Art, Australia
  3. Brighton graffiti, Lesbos Street Art and Reading Bathroom Tagging


Neon London

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

If you commute or happen to stroll around Holborn for no particular reason you might have spotted Ron Haselden's latest piece of public art, in fact it's London's latest commissioned piece of neon public art. Yes I know London has its own little slice of Tokyo in the heart of Piccadilly, not quite Times Square maybe but nevertheless we Brits have neon signage here. Perhaps not as much as our counterparts in more glamorous cities (or at least wealthier) of the world, but then again the British are renowned for being rather difficult to impress with a smattering of advertising glitz.

It's a different story when it comes to Haselden's neon installation entitled simply 'Day and Night, Night and Day' which forms a constantly changing 40m tapestry of light and colour, suspended along a central walkway at New Street Square. Unveiled by Land Securities at their New Street Square retail and office development in Holborn, there's currently an all-out PR blitz firing on all cylinders in an attempt to get the piece as much exposure as possible. Such is the way with corporate sponsorship and art – the money men must feel they've made an 'investment'. I was contacted by Blue Rubicon PR (who really are pestering idiots – 3 phone calls and 2 emails?) to feature Haselden's latest neon sculpture. I usually I delete PR mails the moment I realise I'm being 'sold to', but I'm going to make an exception in this case simply because I find Haselden's work rather intriguing.

Take a look at his latest piece entitled Day and Night, Night and Day.

Day and Night, Night and Day (2009) by Ron Haselden

Day and Night, Night and Day (2009) by Ron Hasselden

Ron Haselden, a British artist born 1944, is based in both London and France in the coastal town of Plouër-sur-Rance, in Brittany. He's known mainly for working in light, sound, film and video, mostly as part of architectural commissions. He was born in Gravesend, Kent, not far from my old grammar in Dartford, and attended the Gravesend School of Art. After teaching for a number of years at Reading University he relocated to France.

'Frère Jacques' (made in collaboration with Peter Cusack) combined a wall of light with children singing. In 1993 he went on to create a twenty feet high new moon illuminating the front of the South London Gallery. Blue Passage (1999), made for the passageway between the South Bank and the BFI IMAX cinema in London, consists of 8000 blue LEDs sunk into the walls of the underpass. The BFI IMAX is set on an island in a sea of traffic and thus only accessed by the formerly dark and foreboding tunnels. He has for this piece drilled hundreds. perhaps thousands of small holes in constellated patterns throughout the lower half of the walls in block-work at intervals matching the size of the blocks and placed along every mortar line between them. Set in each of these holes, is a tiny blue LED. The arrangement is rather like a vortex of artificial stars randomly arranged in scattered patterns.

Blue Passage (2000) Waterloo, London by Ron Haselden

Haselden's work offers a bridge into the mind of the architect, deeply associated with space, light and structure, his art has an ethereal quality, an impermanence which reflects a directly opposite quality of most of the architecture he works within. For instance if his work is not maintained it will die, as would a living thing, bulbs will blow, light will fade and eventually each installation would disappear. Haselden trained as a sculptor, and that is still how he views himself, his materials may not be as familiar as his contemporaries, but he still creates three-dimensional structures, shapes within spaces designed to inspire an emotional resonance within an audience. Many of whom will pass through stages of surprise, wonder, familiarity and eventually will seem, at least on an emotional level immune to their surroundings. Much like the experience of first discovering a building, or even a city.

The re-engagement of the public, through sculptural use of light and sound, interacting with the architecture, no matter what the architecture may be, essentially fires Haselden on to evolve his creative and constructive process of sculptural design to new levels of scale and ingenuity. Reinventing space within a gallery or a city, the rural country side, in fact anywhere makes no difference to him in practical terms, this is not public art, it is as he constantly reiterates, sculpture.

Perhaps my favourite piece by Haselden (which I am led to believe is also his own personal favourite) would be Echelle, which was originally installed for the Salisbury Festival and has since toured to Canterbury, Rotherhithe, and Walworth. In essence Echelle is a giant neon ladder attached to the side of a  church tower,  heading almost optimistically upwards. His surreal humour and understanding of both structural and cultural space being most evident, I'd like to see more of this playful engagement with the public in his future works.

Echelle (2000) by Ron Haselden

Visit Ron Haselden at www.ronhaselden.com – there's also an in-depth review of his work (Art & Architecture no 53 1999) available at HughStoddart.co.uk and some interesting clips of his video work at Lux Online.

Tags: British, London, neon, Ron Hasselden, ronhasselden.com, sculpture

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Fresh Stuff From Jace in Kuala Lumpur

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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More from Jace here.


One Not To Miss: Art, Advertising, Activism & Alchemy in New York

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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(click to enlarge)

“Art, Advertising, Activism & Alchemy:

The power of public art. The problem of ubiquitous, aggressive, and even illegal advertising. The renaissance of urban activism. The alchemical conversion of public spaces when these concerns meet. These four artists, with different but overlapping practices, represent the transformative intersection of art, advertising & activism. Speaking together for the first time ever:

Jordan Seiler, of the provocative Public Ad Campaign: replacer of advertising with beautiful art and organizer of the staggeringly ambitious New York Street Art Takeovers.

Gabriel “Specter” Reese: the pioneering Artist, emerging from a traditional graffiti background to become the creator of remarkably innovative street works that deal with socially marginalized people and places.

Jason Eppink: the Urban Alchemist transforming video ads into video art with a simple filter and trashed chairs into treasured seating by clever relocation.

Posterchild: the incredibly prolific creator of hundreds of conceptual and sensitive street works, including sculptural, kinetic, robotic and interactive installations, guerrilla gardens, stencils, and of course posters.

Come see these distinguished and award winning persons give individual talks about their practices, followed by a panel Q&A with all four artists. Also on display: 20 screens featuring past street works of all artists and the unveiling of new mural works by Posterchild and I Am. Drinks are available all evening.

Friday, November 20th, 2009
At Wonderland: 3801, 23rd Avenue in Astoria, Queens.
7pm: Doors open, 8pm: Artists talks, 9:30pm: Panel Q&A

Free to Enter”


Fresh Stuff From BR1 In Turin, Italy

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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“my new poster represents an iraqi girl with school uniform and a flower on her hand. after the war ordinary daily life start again in Iraq and people go to work, at school, kids play in the parks, couples goes in cinema. you know that I love to draw muslim women in general, focus my attention on the veil, and iraqi women wears a tipical veil, similar to iranian chador, but young girls wear the normal veil, the most common in arab world. when I paste up a poster I try to make a sort of urban revaluation, and this time I choose an abandoned factory of FIAT motors group in the centre of Turin.”… BR1


Surrender by Luzinterruptus

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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(Photos by Gustavo Sanabria)

From Luzinterruptus

“We cannot deal with another construction project on our sullen streets, nor another tax on our depleted pockets, therefore we have decided to hoist the white flag and turn ourselves in to see if we receive the humanitarian treatment accorded a prisoner of war, because lately we are not enjoying being ordinary citizens.

It cuts us to the quick to think that this round of projects has not finished and that for the candidature of the 2020 Olympic Games, everything done until now will already be obsolete, if not useless or out of fashion and will have to be started again.

Our symbolic act, Surrender before a possible Madrid 2020, took place on Tuesday the 27th of October and consisted of a walk around some of the most representative and long-lasting public works projects in Madrid, in whose tremendous trenches, we left our lighted white flags.

Our walk finished at the grandiose public projects in Colón, where we unfurled to the wind more than 30 flags, so that everyone who passed, would know that our surrender had been carried out.

Gustavo Sanabria was documenting the action and surrendered with us. Our friend Kaspar helped us at all times and also surrendered, a thousand thanks.

Time of installation: 4 hours.
Damages: none.
Exhibition time: ¿?.”


Seen On The Streets of Marrakech

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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(Thanks, Becky)


Seen On The Streets of Marrakech

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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(Thanks, Becky)


Fresh Stuff From Roadsworth in n Winston-Salem North Carolina

Posted: November 14th, 2009 | Author: | Filed under: Graf | No Comments »

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The pieces above were done by Roadsworth in conjunction with the South Eastern Center for Contemporary Art..