graf and streetart news compiled from the finest sites in the land by a robot.

Is the Pope plastic?

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

Peter Fuss, Poland’s answer to dr.d, thinks not.

When he’s not illegally pasting his own posters onto billboard sites (or eating sausages) it appears casting polyester resin is his pastime of choice.

And what a choice.

‘Garden Popes’ is a series of limited edition, brightly coloured holy ornaments, signed by Fuss and an absolute must for anyone looking to add a little Vatican to their urban retreat.

blah blah blah

Fuss pot(tery)

Pick one up from Agata Holke here: http://bit.ly/32uyT.

And check out Fuss’s paper and canvas works too: http://bit.ly/32uyT.

Until next time.

The Wall Pimper

www.pimpyourwalls.co.uk


Shit We’re Diggin’: David Choe’s "ChoeBots"

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

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(click to enlarge)

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From about the ChoeBot’s here.

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(click to enlarge)


Fresh Stuff From Level on the Streets of Brasília DF- BrasiL

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

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More from Rodrigo Level here


JR’s New Exhibition In Paris – An Introduction by VernissageTV’s Christophe Ecoffet

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

JR talk to VernissageTV correspondent Christophe Ecoffet about “Women are Heroes”, his new open air installation around the Ile Saint-Louis in Paris.


The Banksy Vote Meme Spreads

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

Seems the ‘council’s holding votes on Banksy pieces’ idea is spreading, this time to the London Borough of Sutton, article with photo here. A bit less sophisticated than the technology Bristol used a few years back, just an email address to send your comments to, but none the less unrepresentative for that.

On the one hand, hoorah. People are getting involved, power to the people, blah blah blah.

On the other hand, there’s just no clarity at all about what’s going on here. If this was a genuine exercise in democracy and public opinion, then surely things would be set out a bit more clearly. Quite apart from whether you agree with the council’s statement about ‘mindless tagging’ (when generally tagging does have a mind behind it, just not one some people agree with), what criteria has been used to select this particular piece for public vote? Since they’ve dubbed it ‘work such as this’ in contrast to ‘mindless tagging’, the criteria doesn’t seem to be particularly sophisticated.

In effect, it just looks like a council that’s running scared of a PR disaster now Banksy’s ‘famous’, but at the same time one that’s unprepared to look at all the other elements of the graf culture, why it happens, what people support and don’t support on a much wider scale.

Ironic in a way, given the piece itself seems to be taking the piss out of the unthinking ‘out of the box’ approach to graf that’s spread so far over the last few years. An unthinking and confused response to a piece about being unthinking and confused. How postmodern.


The Banksy Vote Meme Spreads

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

Seems the ‘council’s holding votes on Banksy pieces’ idea is spreading, this time to the London Borough of Sutton, article with photo here. A bit less sophisticated than the technology Bristol used a few years back, just an email address to send your comments to, but none the less unrepresentative for that.

On the one hand, hoorah. People are getting involved, power to the people, blah blah blah.

On the other hand, there’s just no clarity at all about what’s going on here. If this was a genuine exercise in democracy and public opinion, then surely things would be set out a bit more clearly. Quite apart from whether you agree with the council’s statement about ‘mindless tagging’ (when generally tagging does have a mind behind it, just not one some people agree with), what criteria has been used to select this particular piece for public vote? Since they’ve dubbed it ‘work such as this’ in contrast to ‘mindless tagging’, the criteria doesn’t seem to be particularly sophisticated.

In effect, it just looks like a council that’s running scared of a PR disaster now Banksy’s ‘famous’, but at the same time one that’s unprepared to look at all the other elements of the graf culture, why it happens, what people support and don’t support on a much wider scale.

Ironic in a way, given the piece itself seems to be taking the piss out of the unthinking ‘out of the box’ approach to graf that’s spread so far over the last few years. An unthinking and confused response to a piece about being unthinking and confused. How postmodern.


Fresh Stuff From Improv Everywhere: Invisable Dogs in Brooklyn

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

Shit We’re Diggin’: David Choe’s "ChoeBots"

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

choebot%2Bmad%2Bpark.jpg
(click to enlarge)

choebot%20.jpg
(click to enlarge)

From about the ChoeBot’s here.

choebotarmoured.jpg
(click to enlarge)


Shit We’re Diggin’: Harry Smith’s "Film #10: Mirror Animations" From 1957

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

“Harry Smith is best known for compiling the *Anthology of American Folk Music*, the highly influential 1952 collection that had a significant hand in the blues and folk revival of the ’50s and ’60s. What isn’t as widely known is that Smith—also a painter, linguist, and anthropologist—created a significant body of experimental films: kinetic, vibrant, sometimes abstract work that earned him a spot in the history of American avant-garde cinema. His 1957 animated collage *Film #10: Mirror Animations* was included in his short film anthology *Early Abstractions*, which was selected in 2006 by the Library of Congress for preservation in the National Film Registry. While originally silent, Smith later used music by the Fugs (who were Smith’s friends) and the Beatles as the collection’s soundtrack; its video release in 1987 synced music from Teiji Ito (husband of another experimental filmmaker, Maya Deren), and more recent scores have been created by pianist/composer Philip Glass and the band Sonic Youth. Smith himself described *Film #10* as An exposition of Buddhism and the Kaballa in the form of a collage. The final scene shows Agaric mushrooms growing on the moon while the Hero and Heroine row by on a cerebrum.

This soundtrack for *Film #10: Mirror Animations* was created in July 2009 by the Shaking Ray Levis and Love, Execution Style. It was improvised and recorded in real-time, as the musicians viewed the film.”

(Thanks, Maxime)


Sticker Kit, OBEY x PEEL

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

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From Shepard Fairey:

“Dave and Holly Combs are wonderful people as well as the founders of PEEL Zine. They took the risk of following their artistic passion and have paid the price of losing their home. I created this print with and for them to raise money to help with their huge debt. PEEL has helped to support and grow the street art community and I believe they deserve to have the favor returned. Profits from this print go to help the Combs family. Please help out”.

From Dave:

“Nearly eight years ago a sticker changed my life forever. My wife Holly and I had traveled to Ground Zero NYC to assist with the 9/11 recovery effort. Amongst the noise of a city in turmoil an unassuming little sticker kept popping up declaring that “André the Giant has a Posse.” My curiosity was piqued and investigation ensued. I was both delighted and amazed to learn that I had unknowingly participated in a kind of social experiment in Phenomenology. The stickers had challenged the way I viewed public space and led me to question many long-held ideas about what art could be. That raw, unexpected, anonymous encounter stuck with me and powerfully impressed upon me the efficacy of street art using the medium of the sticker.

Shepard’s work inspired Holly and me to start our own propaganda campaign to “ban comic sans” and soon after to document street art in our own DIY fanzine, PEEL. Over the course of eight issues and about five years the zine grew from 200 black-and-white, ½-size copies to 20,000 full-color, full-size glossy copies distributed worldwide. We eventually started an online store, GORILLAmART.com, to sell sticker packs and zines related to street art. After a while we also opened a gallery in Indianapolis dedicated to showing the work of street artists, Alias Gallery which lasted for about a year. We also worked with a publisher to produce the book PEEL: The Art of the Sticker which collects highlights from the first eight issues. Through our work we were directly involved in the production and/or distribution of about one and half million stickers.

In all of this work, we were unable to turn a profit, but rather incurred a large amount of personal financial debt secured by our home as collateral. About the time of the economic downturn we were unable to continue paying on all the loans we had taken out to pursue our dream and as a result lost our home in bankruptcy. Though it’s been difficult we have no regrets and it’s been an incredible ride.

Holly is now teaching street art in public schools through her Street Styles workshops. We are both are grateful to everyone who has been involved with and supported PEEL in some way or another from fans to street artists. We are especially grateful to Shepard for both inspiring us to embark on this incredible journey of doing PEEL Magazine and for now helping us get back on our feet with this print. – Dave Combs

The Sticker Kit Print will go on sale today at a Random Time, Limit 1. Edition of 450, 18×24, S/N, $50


Seen On The Streets of Sao Paulo

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

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Artist: CARANGO SÁ


Fresh Stuff From L.E.T

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

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if you are in Cologne be sure to check out L.E.T’s upcoming show on October 30th at the Unique Gallery.


Pictures On Walls Go Retail!

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

As POW mention themselves, it’s probably "the moment none of you have been waiting for", however if you do happen to be in the neighbourhood you’ll be able to experience the full retail experience and actually see and touch street art you want to buy, which makes a nice change. The neighbourhood in question is Petticoat Lane in London, click here for a Google Map.

Pictures On Walls have set up shop on the ground floor of 45/46 Commercial Street which is a short walk from Aldgate East tube station and are open 11am to 5pm Monday to Friday and 11am to 4pm on Sundays.

I’ve already featured a few artists selling prints at POW before (including Banksy, Bast, Insect and  Sickboy) but here are two new ones you might not know.

Gee Vaucher

Inside Out by Gee Vaucher

Inside Out explores female sexuality, the body, and how the surface belies that which lies within. A dual process print, half screen print and half digital, this limited edition signed and numbered work sells for £200, only one per customer!

Luchahuahua

Luchahuahua by China Mike
If you love Mexican masked wresting and dogs, or either, then maybe China Mike’s latest limited edition screen/digital print is for you. Entitled Luchahuahua, there are only 3 left at £95 each, signed and numbered.

Check out the rest at the all new POW store…

New Pictures on Walls Store

Plenty of places to sit, the drinks dispenser still needs installing and yes you can hardly tell from the outside what’s going on in there, you’d think one of their artists would give a hand with some signwriting lol.

Tags: Banksy, graffiti, Pictures on Walls, POW, prints, street art

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Herakut will be painting live in Berlin this week

Posted: October 6th, 2009 | Author: | Filed under: Graf | No Comments »

Herakut & Style and the Family Tunes from stylemag on Vimeo.